Khariton Berman's son

At a building on the tour, a remark that there is nothing of interest inside: it now houses an arts center with clubs. Attention then turns to a nearby large synagogue, called the great synagogue.

The transcript shows the building is now an arts center with clubs and that talk moves on to the great synagogue; it does not mention a Talmud Torah.

Outside the former great synagogue the group discusses which synagogue is which, including a second one called the merchants' synagogue (?). They remark that there is little to see inside and that the old buildings have been rebuilt. Kerler says old houses are also being recorded, and there is brief chat about the filming.

Short fragmentary exchange in the van, with a few words about a name and about cassettes.

At the stop the speakers say that a classic writer, whose name the transcript does not give, once lived on this spot. They discuss a former Jewish center and market area and the Polish and Yiddish names for a gate or town (brama; Yiddish 'bromk'(?)). They also discuss a town of wooden houses and an old white monastery or church that burned down, which explains the name of Bila Tserkva ('white church').

The transcript does not name Sholem Aleichem or a plaque. It shows a discussion of the Jewish center, a place name and the burned white monastery or church, which is not the prayer house in the catalogue entry.

The group arrives at a burial site and discusses where to film. The transcript is very garbled, with Russian remarks about a place where someone is buried and a military unit. Nothing in it identifies the Chernobyl rebbe.

Travel in the van, apparently out of Bila Tserkva, with scattered fragments of conversation. Some English lines sound like texting, and there are brief remarks about a New Year and about the names of towns. The content is largely unclear.