MDV 149 · Moisha Motylevich Lipovetskiy; Grigory (Ersh-Velvl) Kishlyansky

Lipovetskiy describes a head covering of the kind a woman wears, in connection with a religious obligation. He explains the number of Hanukkah candles and the money children received from parents and friends. He recalls the metal dreidel and a Yiddish theatre troupe, including an actress named Sidi Tal from Bessarabia who later lived in Chernivtsi, in answer to Kerler's questions about Purim performances.

Adds the Purim players and the actress Sidi Tal.

Lipovetskiy answers questions about Purim and Hanukkah-time performances, saying he remembers little and mostly saw actors in a theatre. He recalls attending a kindergarten, called by a Romanian name, where Jewish children were fed and played with balls. Kerler elicits the Yiddish and Romanian words for 'ball', and Lipovetskiy says he is unwell. Kerler then asks him to recall prewar life in Chișinău.

Adds the elicitation of words for 'ball' and Lipovetskiy's ill health.

Lipovetskiy tells a story from the first Soviet period, before the war. As a boy he was given cherries or plums by a Russian officer buying from a neighbour's shop, and he worried about what his family would say. He then says which street he lived on and describes a nearby canal and a bathhouse, and Kerler thanks him and closes the interview.

Adds the anecdote about food from a Russian officer and the bathhouse.

The formal interview with Kishlyansky opens with the date and his name; his Yiddish name was Hersh and his father's was Velvl. He was born in February 1930 in Briceni, about a hundred kilometres from Bălți, and his father was a leather worker. He gives his mother's name and approximate birth years for his parents, and says he was named after his grandfather. He had a brother and a sister and later worked bringing goods to a shop.

Adds the sibling names and his work delivering goods to a shop.

Kishlyansky recalls Briceni as a Jewish town, his observant mother who kept meat and milk separate, and the several ritual slaughterers and a rabbi. He recalls the circumcision custom of reading the Shema, and a few prayer words. He describes Friday and Sabbath at home, with challah, a blessing by his father, and cholent kept in the oven.

Kishlyansky first speaks briefly about the outbreak of war: robbery, killings and beatings, then being driven in a column toward Ukraine. At Katz's request he returns to prewar life: Passover and burning the leaven, a cheder, a talmud torah, and the melamed Shaye. He lists the town's prayer houses, including the tailors' synagogue and the shoemakers' synagogue.

Kishlyansky describes how his mother lit Friday-evening candles and what was eaten on Sabbath, and then explains how gefilte fish was made. He talks about Rosh Hashanah in the prayer house and children's games of throwing nuts into small holes and playing with chestnuts. He adds a remark on other children's games.

Kishlyansky speaks of the hard life of the poor in Briceni and how people were helped, and about fasting on Yom Kippur. He recalls building a sukkah and mentions Purim. He reflects on Yiddish and Jewishness, saying the language should not be abandoned and many Jews no longer know it.

Kishlyansky sings songs at Katz's request: first a lullaby-like song about a newborn child and the brevity of life, then the song about a dying man who asks for his tailor, 'Zeydenyu her oys', then 'Vu nemt men a bisele mazl'. Katz asks for the first line of a song and praises his voice.

Kishlyansky sings a song about Petrograd and speaks of his mother, a tailor, who sang at her sewing machine. He sings a love song she sang. He tells a joke or anecdote about a rich man in Briceni and a poor suitor for his only daughter, then says he can't recall other Yiddish jokes.

Kishlyansky answers questions about non-Jews who spoke Yiddish and says there were no conversions. He lists trades in Briceni and sings a song about a butcher. He recalls the visiting Yiddish troupes and the performers Sidi Tal and Anna Gintsburg, and says there were many cantors but no Hasidim. He says people knew of the Stefanesti rebbe and travelled to ask him questions.

Adds non-Jews speaking Yiddish and the question about conversion.

Kishlyansky answers Katz's terminology questions: a cemetery, a fence, the word tsadik, and a Lithuanian Jew. He mentions the Jewish wedding canopy and says he does not recall wedding songs. He describes how a woman charmed away the evil eye, with three women sitting on a stone, and is asked about dybbuk and golem, which he doesn't know well.

Kishlyansky tells of the war's start in Briceni in June 1941: robbery and killings, then Romanian soldiers marching the Jews on foot toward the Dniester. Shootings and rain on the field are recalled. He was held about half a year in the Sokolon ghetto behind wire, where peasants sold food once a week. In October they were sent on to Ukraine, where many died of illness; he worked herding pigs on a kolkhoz. After the Red Army arrived his father was taken and shot.

Adds that he herded pigs, his father cooked for them and was shot after the Red Army arrived.

Kishlyansky recalls the return after the war, finding the house where the family had lived and speaking Yiddish with a neighbour. He grieves for the murdered Jews and asks where God was. He says he is now old.

Kishlyansky sings again the song about the birth of a child, at Katz's suggestion. He says he can't recall other songs, including those his mother sang at her sewing machine.

Kishlyansky speaks of the hard postwar years: his mother was widowed and sewed to raise her children. He married about fifty years ago, and his wife Mara is from Zhytomyr; a sister lives in Israel, and his son is a mathematics teacher in Canada. He says life today is hard and describes the support he receives from Germany.

Adds his wife from Zhytomyr and the support he receives from Germany.

Answering questions about Purim and Simchat Torah, Kishlyansky recites the opening lines of a Purim play. He recalls Simchat Torah children's flags with an apple and costumed Purim players going door to door. Kerler asks him to repeat the lines on camera. He says people neither prayed nor sang in the camp, only wept.

Kishlyansky answers questions about the evil eye and its cure by incantation: three women on a stone, melting wax, and extinguishing coals, which he says were practised by non-Jews. He says he knows no Jewish equivalent. Katz then prepares to ask for Yiddish equivalents of Russian words.