Dora (Dvoyre) Iosifovna Yatskova

In Russian with some Yiddish, Yatskova describes the Jewish theatre, Russian theatre and operetta on a street in Odesa, which she attended free of charge. She says she would like to go to Odesa to see where people were shot, but no longer has the strength. She also discusses relatives' inquiries about the fate of family there, and Kerler ends by asking the Yiddish word for cemetery. Kerler mentions an aunt who worked at a cinema.

adds her wish to visit the Odesa graves of those shot and the question about relatives' fate

Kerler and Yatskova discuss the Yiddish term for a cemetery. In Russian she says she visits the cemetery often and lays flowers or stones, and that Hasidim who come from Israel know her. She gives directions to the Polish and Jewish cemeteries on the road to Vinnytsia.

adds the Yiddish word for cemetery, the Hasidic visitors and the directions to the Vinnytsia cemeteries

Footage of the old Bratslav Jewish cemetery. Kerler reads Hebrew gravestone inscriptions aloud, works out dates from the letters, and speculates about a woman's grave and about a rabbi's daughter or saintly woman. He mentions names including Yisroel Meir, Menachem Mendel and a Rabbi Mordechai. Other voices comment briefly.

The team travels to the new Bratslav Jewish cemetery while the camera films the town. Speech is largely garbled Russian and looping Yiddish, with a mention of a Yankl Shapira (?) and a remark that the place has benches and a good monument.

The team visits the graves of Hasidic tzadikim. Kerler and the other interviewer talk about notes (kvitlekh) left at graves and about lighting candles, and Russian remarks mention that candles and notes are not allowed but a toast is. The camera then records the cemetery.