People › Khariton (Khaske) Abramovich Berman › conversation

Khariton (Khaske) Abramovich Berman

Bila Tserkva 23 June 2005 – 24 June 2005 Interviewed by Dov-Ber Kerler, Jeffrey Veidlinger, Dovid Katz 79 min · 2 parts on 2 tapes proposed
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  1. MDV 334 0:00–1:02:34 · 63 min · not online — MCO
  2. MDV 335 0:00–16:32 · 16 min · not online — MCO · a part of the tape
Passages
MDV 334 0:00–1:02:34

0:00

Before they begin the formal part of the interview, they discuss the team's travels and Sholem Aleichem's connection to Bila Tserkva.

Informal MDV 334 · MCO
From the machine transcript

Before the formal interview starts, the group talks about the team's travels in Ukraine and the next towns they will visit. Berman then explains that Sholem Aleichem lived in Bila Tserkva for several years and that his early stories describe the town's Jews. He says the town had nearly thirty thousand Jews before the war.

The catalogue sentence is accurate; the transcript adds the route of the expedition and Berman's remarks on the town's prewar Jewish population.

3:02

Berman talks about his involvement in Jewish cultural life in the late 1980s. Before the war, the town had a Jewish population of 30.000, of which 8000 returned. Berman set up the Sholem Aleichem Cultural Society in 1989 and supports local educational efforts. Moreover, he was one of the initiators of the Yiddish cultural society in Kyiv that was set up in 1988.

From the machine transcript

Berman talks about founding the Jewish cultural society in Bila Tserkva around 1989 and his part in the Kyiv republican society. He lists its departments, a school and a library with books sent from Australia, and the clubs and literary evenings, including one devoted to Peretz Markish. He says many of the town's Jews have since left and the society is smaller. He also says he was born in Rivne, which was in Poland before 1939, and attended a Polish gymnasium.

The transcript adds the library with books from Australia, the clubs and literary evenings, and that the wartime figures given by the catalogue are in the previous passage.

5:26

Berman then talks about his life before the war. He was born in Rivne (Rovne) and attended a Polish school. He encountered the writer Sholem Asch and Ben Gurion in his home town. His father was a successful leather merchant and was active in associational life. His mother was the chairwoman of the local Jewish Women's Organization, which regularly invited well-known figures, such as Ben Gurion, Sholem Asch, and Ze'ev Jabotinsky. She would entertain the visitors and, therefore gave Berman the opportunity to meet them. Berman then remembers the conversation with Ben Gurion, who encouraged him to immigrate to Palestine after graduating from school.

From the machine transcript

Berman recalls his Rivne youth. His father was a well-known leather merchant, and his mother led the Jewish women's organization and took him as a child to banquets where he met Ben-Gurion and others. He mentions Yiddish as spoken by Ben-Gurion, Jabotinsky and Sholem Asch, and an incident at Asch's play. He also speaks of his articles on Rivne's football team and its match against a Viennese club, and on Jewish partisan doctors, which brought letters from abroad.

The transcript adds his comments on the Yiddish of Jabotinsky and Asch, the football-match article, and the doctors' article with responses from America.

11:57

Berman then discusses his publications, such as a newspaper article in Yiddish about the soccer match between the local team and the Viennese team. He also published several articles in the Forverts. In particular, he mentions the article about a Jewish underground movement in Poland during World War II.

From the machine transcript

Berman and Katz discuss Berman's articles and the Yiddish press, including an article in the Forverts. They talk about the editor's death and about the Forverts's current circulation of several thousand copies. A further Yiddish paper is mentioned. Parts of the passage are disrupted by a recogniser loop.

The transcript shows an exchange between Katz and Berman about the Forverts's circulation and editor.

13:24

The conversation turns to life after the war. Due to his achievements as a cardiologist in Rivne, he was made honorary citizen as the only Jew among eight honorary citizens of the city . He still works as the chief cardiologist in Bila Tserkva. The camera briefly cuts to his wife Sonya, who was born in Bila Tserkva, and they discuss Yiddish dialects.

From the machine transcript

Kerler asks Berman for his biography from childhood on. He speaks of his mother's family, the Krzemieniec museum, and a Jewish communal leader from Rivne. He gives his age as eighty-one and describes the festivities for his jubilee on 7 November 2003, when he was made honorary citizen, the only Jew among eight. He says he is chief cardiologist of Bila Tserkva. His wife Sonia is asked where she is from, and they discuss Yiddish dialects, including Rivne-area Yiddish as Lithuanian-like and the Yiddish of Brody and Dubno.

The transcript adds the Krzemieniec museum, discussion of Rivne-area and Volhynian dialects, and Berman's jubilee celebration.

20:21

The conversation moves to Berman's childhood memories and family. His parents were killed in Rivne during World War II. He talks about his encounters with famous people, who socialized with his parents. Berman also wrote articles about the pogroms and talks about someone he interviewed for that purpose.

From the machine transcript

Berman says his father was a known merchant and a communal activist, his mother a beautiful woman, and that his parents were killed in Rivne. At Kerler's prompting he describes his parents' home as a kind of salon. He recalls a Jewish minister and personal autonomy under Petliura's Ukrainian People's Republic, a doctor he treated who told him of his own part in it, and the pogroms. He says he wrote about the pogroms and recalls his Yiddish being self-taught.

The transcript adds the salon in the family home, Berman's treatment of a doctor from Petliura's government, and the pogrom articles.

24:45

The conversation moves to Berman's childhood memories. He did not grow up speaking Yiddish, but learned the language reading Yiddish journalism and sports magazines. He studied at a Hebrew-language school, organized by the Tarbut movement, before he switched to a Polish school. In ninth and tenth grade, Berman studied at a Russian school. He then talks about the ceremony he attended commemorating the fifty year anniversary of the Warsaw uprising, where he gave a speech in Polish. The conversation returns to his childhood years and prewar Jewish life in Rivne. He mentions different Jewish institutions, which produced a lively Jewish community in Rivne. The institutions include Jewish parties, a Yiddish and a Hebrew school, and three Jewish sport clubs. Berman traveled to Kyiv to see his relatives in 1939, one week before the war broke out.

From the machine transcript

Berman explains that he learned Yiddish from newspapers, especially a Warsaw sports paper. He attended the Hebrew Tarbut gymnasium and then a Polish gymnasium, where there were few Jewish pupils, because it gave full university rights. He tells how he spoke in Polish at the fiftieth anniversary of the Warsaw ghetto uprising. He then describes Rivne's Jewish institutions: parties, a Hebrew and a Yiddish-Polish school, and three sports clubs. He mentions studying in a Russian school under Soviet rule and a trip to Kyiv shortly before the war.

The transcript adds that the Tarbut school preceded the Polish one and that the Warsaw ghetto anniversary speech was alongside Polyanker, and gives the Rivne sports clubs.

32:41

The interview is briefly interrupted by his daughter-in-law's arrival. Like many others in his family, she works as a doctor.

From the machine transcript

Berman and his daughter-in-law talk about the family. He says his son is a gynecologist and his daughter-in-law an infectious-disease doctor, and one grandson is a doctor in Israel. His other grandchild and her husband are dentists. He calls it a dynasty of doctors. He then begins on the war years in Kyiv.

The transcript shows a daughter-in-law, a son and grandchildren who are doctors, one in Israel, which the catalogue does not mention.

34:23

Berman then talks about life during the war. He published material about the fate of his family during the war. His parents were executed along with their fellow Jews from Rivne during German mass killings on November 6th and 7th in the pine woods near Rivne. They set up a memorial in Yiddish. Most Jews of Rivne were murdered early on. Berman left Kyiv and went to Stalingrad in order to study at the medical institute. However, he had to interrupt his studies in 1942 due to the arrival of the Germans, and he volunteered for the Red Army. He served in the 64th division, defending Stalingrad. He was taken out of his division because of the German language skills he had acquired at the Polish school. He was favored by a Soviet commander to German writers like Wilhelm Pieck. He worked as a translator for German officers. He reached the rank of a lieutenant and saved German army officers from execution.

From the machine transcript

After a stretch of toasting and chat with Katz about books and the correspondence of a Polish visitor, Berman recalls the war years: his parents were taken to the Sosonki forest near Rivne and killed with other Jews, and the Yiddish inscriptions there. He describes studying at the medical institute in Stalingrad, Red Army service and the role his fluent German gave him: addressing German troops by loudspeaker and interrogating prisoners, with commanders such as General Chuikov. He recalls a young Jewish lieutenant and German thanks. Some stretches of Polish and Russian also appear, along with a question about Bila Tserkva's Hebrew name.

The transcript adds the toasting and chat, the Sosonki memorial inscriptions in Yiddish, and the explanation of the Hebrew name for Bila Tserkva.

45:14

Berman talks about the two films in which he is mentioned as a Jewish German-speaking lieutenant.

From the machine transcript

Berman describes two German film studios that came to Bila Tserkva to make films about him, using wartime newsreel footage of his German-language work. He says the films were shown in Germany. He also says he went with the army from Stalingrad to Prague.

The transcript adds his route from Stalingrad to Prague and the German studios.

47:45

Berman returns to discussing his military service in the Red Army. His division moved from Stalingrad to Prague. He helped liberate ghettos in Budapest and Vienna. Berman tells about how during the war, he was able to correspond by mail with his mother as well as with the actor Solomon Mikhoels and the writer Ilya Ehrenburg. After the war, during a surge of antisemitism, his wife burned the entire correspondence with Mikhoels.

From the machine transcript

Berman continues on the army's advance to Prague, saying he reported on the liberation of ghettos such as Budapest. He describes his wartime exchange of letters with Solomon Mikhoels, who asked him what was happening to Jews in Hungary, Romania and Czechoslovakia. His wife burned the whole correspondence after the war, when antisemitism rose and she was afraid.

49:56

Berman discusses life after the war. After he graduated from the medical institute in Kyiv, he returned to BilaTserkva in 1953, where he was actively involved in promoting Yiddish culture. He published articles in the Birobidzhaner Shtern and Sovietish Heymland in the 1950s. Berman supported the publication of previously unpublished letters by Ilya Ehrenburg.

From the machine transcript

Berman recounts postwar work: a post as district health head in the Bila Tserkva region and suspicion over his Jewish colleagues, then return to Bila Tserkva as a famous doctor. He describes writing in Yiddish for Birobidzhaner Shtern and Sovetish Heymland, and his article on Ehrenburg's unpublished letters. Kerler and Berman compare their debuts in print around 1958. They also discuss a folklorist friend, Shlomo (?) Kuper (?), Berman's patient, with whom he corresponded.

The transcript adds his experience as the only Jewish district health head, accusations about Jewish colleagues, and the folklorist friend.

56:37

Berman addresses his connection to the Jewish cultural organization in Kyiv. He remembers the first meetings and he was part of the organization committee, as well as part of the community. In 1989, he initiated a Yiddish cultural organization with a Yiddish theater in Bila Tserkva. He talks about how he promoted the idea of founding a Yiddish theater among his friends and colleagues. He shows a copy of a Yiddish-Polish journal, which includes a copy of Berman's article about his experience in Stalingrad.

From the machine transcript

Berman talks about the 1980s revival of Jewish cultural life in Kyiv: his friendship with writers such as Hersh Polyanker and Yosef Burg (?), the first meeting, the organizing committee and his membership of the community. He says in 1989 he conceived the idea of a Yiddish theater to draw people, and describes recruiting a theater figure from Kyiv. He shows a Polish-Yiddish journal containing his Stalingrad memoir, whose editor is a woman from Vilnius.

The transcript adds friendships with Polyanker and others and the editor of the Polish-Yiddish journal.

MDV 335 0:00–16:32

0:00

Khariton Berman discusses the local Yiddish theater he established in 1989. The theater group traveled to different places, such as Kyiv and Crimea.

after the war Theater MDV 335 · MCO
From the machine transcript

Berman talks about the Yiddish amateur theater he was involved in, which performed Sholem Aleichem pieces and took them to Kyiv and elsewhere (a Crimean place is possible but unclear). Kerler explains how the team had just met the widow of a local actor, who lent them a videocassette of Yiddish theater. The group discusses copying the tape, and Berman promises to search out and send his many films and photographs of the theater. Kerler then starts to ask his birth year.

Adds the widow of an actor, the videocassette copying and Berman's promise to send films.

4:21

The formal interview is briefly interrupted because Berman looks for recordings of various shows performed by the Yiddish theater.

From the machine transcript

Berman gives his birth date as 7 November 1923, and the interview pauses while he looks for something among his materials. Kerler then asks his wife for her maiden name from home, which she gives as Pritske.

Adds his birth date and the question to his wife about her maiden name.

5:31

The team begins to interview Berman’s wife Sonya (Shlime) Berman, nee Britske, born in 1923 in Bila Tserkva. She talks about life and family before the war. Her father, Meyer, was also born in Bila Tserkva and was a white collar worker. She grew up with a brother. Sonya attended a Ukrainian school.

From the machine transcript

Berman's wife Sonya, whose maiden name was Pritske, answers Kerler's questions about her origins. She was born in Bila Tserkva, and she describes the old town. Her father Meir was a very pious man and worked as an office employee, her mother Leah was a housewife, and she had an older brother Mordkhe, who is mentioned in connection with the war. She attended a Ukrainian school.

Adds her mother's name and her older brother, and a description of the old part of town.

7:12

She briefly mentions her evacuation to the Urals during the war, where she studied at a medical institute. She then talks about life after the war, before returning to discussing her family and life before the war. She finished her studies in Kyiv after the war. She grew up in a religious household.

From the machine transcript

Sonya briefly says she studied at an institute in the Urals during the war and then in Kyiv. She recalls her father's strict religious observance, including laying tefillin and praying, and that the synagogue was taken and closed. Kerler asks why she went to a Ukrainian rather than a Yiddish school. Berman then interjects about the director of the Yiddish theater.

Adds Kerler's question about the choice of a Ukrainian school and Berman's interjection about the theater director.

8:11

Berman returns and shows photographs from the opening of the Yiddish theater, as well as pictures from before the war and of himself in his army uniform as a lieutenant.

before the warduring the warafter the war Photographs and documentsArmy serviceTheater MDV 335 · MCO
From the machine transcript

Berman and Kerler look at photographs. Kerler mentions that someone from the theater is now in America. Berman shows old pictures, including one of himself in the army during the war years as a young lieutenant and then a colonel, and mentions Rivne. Kerler asks him to tell more.

Adds the colonel's rank and the mention of Rivne.

9:34

Both discuss religious life after the war. They closed the synagogue in Bila Tsirkov in the 1950s. Sonya remembers how the police closed down the synagogue and boarded it up.

From the machine transcript

Sonya and Berman talk about the closing of the synagogue, which Sonya places on Yom Kippur in the 1950s (the exact year is unclear). A militia truck came and the prayer books were taken. They also speak of the Jewish cemetery memorial to murdered Jews. Then Katz and Kerler ask for their address and telephone number, and Berman gives his street, Pobedy boulevard, and flat number.

Adds the address and telephone details and the cemetery memorial.

12:49

The conversation turns to life today and the interview gets interrupted by a visit from their son, Abram. Berman shows one photograph of a memorial. Then everyone gets together for a group photograph, showing Berman’s diploma. The camera records more footage of their apartment after the conclusion of the interview.

From the machine transcript

Berman speaks of an editor of a Yiddish journal in Vilnius and shows a photograph of the memorial to murdered Jews in Bila Tserkva. Katz and Berman arrange to send each other videos, and Berman looks for photographs from Rivne. Kerler explains that the team is building a collection of Yiddish materials. The group gets ready for a closing photograph and the camera records the flat.

Adds the Vilnius journal editor and the arrangements for sending videos. The transcript does not clearly show the son's visit.

Questions put in this conversation

Items of the dialect questionnaire asked here; each link plays the moment.