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Formal introduction.
Kerler opens with a spoken introduction to the expedition and its aim of recording Yiddish memories from older speakers, then collects basic data. Torchinsky gives his birthplace as Skvire, his birth date in 1918 and his official name Iosif, and Kerler asks for his address and telephone number.
Formal introduction and family.
Torchinsky gives his Yiddish name from home, which he says was changed to Iosif in the official documents, and says he lived in Skvire until 1934 before moving to Kyiv to his older sister Manye. His father died when he was a year old, and he was told his father had been a soldier or some craftsman. His mother Sore worked in a small shop. He discusses his sisters Manye, who was killed with the mother at Babi Yar, and Freyde, now in Israel, and begins to speak of the Yiddish school that he finished in 1933.
adds the Yiddish name and the question of the father's origin and the mother's name.
School education and Red Army service.
Torchinsky recounts finishing the seven-year Yiddish school in 1933, moving to Kyiv in 1934 and being drafted into the Red Army in 1938. He was then sent to a military school in Odesa and became a political worker. He married in March 1941 and lived with his wife for three months before the war began and she was evacuated.
Childhood memories and family.
Asked for his earliest memories, Torchinsky describes the Jewish town of Skvire with its synagogue and prayer house and the preparation for Passover. He recalls going to synagogue with his grandfather on Simchat Torah when he was about six, and discusses whether his grandfather could read Yiddish or Hebrew and the term for the holy tongue. He tells of his uncle Shmilik's attempt to take him to Palestine in 1924 and his running away to stay with his mother, and of his childhood pranks of stealing unripe fruit from a garden and throwing bread into the Passover borscht.
adds the grandfather's literacy, the uncle's invitation to Palestine and the pranks.
Religious education.
Torchinsky tells how a teacher came to his home to teach him the Hebrew alphabet instead of attending cheder, and how he mocked the teacher. He recalls the teacher's punishments and one incident in which the teacher chased him. The name of the teacher is not remembered. Toward the end there are Russian asides in the room and a brief mention of the grandfather's name.
Yiddish literature and family.
Torchinsky discusses a mischievous child, as in Sholem Aleichem, and how he too was a prankster, growing up without a father with his widowed mother and two sisters. He says his grandfather, perhaps a carpenter, gave them a small part of his house. He recalls how the relatives in America sent 25 dollars so that his mother could buy proper flour for Passover latkes, and that the flour was stolen at night, in the mid-1920s.
adds the Sholem Aleichem comparison and the grandfather's trade.
Passover celebration.
Torchinsky continues with the story of his mother buying Passover geese from a peddler, and how his family was cheated with the geese. Kerler compares the story to a literary one. Torchinsky then turns back to the Yiddish school he started in 1926.
School education.
Torchinsky describes the Yiddish school in Skvire, school number two, and his first teacher, with an excursion by the river on which he played a prank. He mentions the Yiddish wall newspaper, his learning printed lettering, and drawing banners for Soviet holidays. He names the director Fishman, a geography teacher, and a letter episode involving the director's son. He recalls Yiddish literature taught, including Mottl Peyse by Mordkhe(?) and Itsik Fefer, and recites lines of verse. He reads a poem written as a school pioneer, and notes he went to a Ukrainian technical school in the 1930s.
adds the director Fishman, a school letter episode, and recited poetry.
Kolkhoz.
Torchinsky tells how his mother, after her trade was liquidated, joined a Jewish collective farm and worked as a cook and later in the fields. She suffered from Parkinson's disease. He describes the move to Kyiv in 1934, helped by friends, and working at a repair factory. His sister Freyde came too and worked as a planner at the factory after a technical course in Kharkiv. He then moves to his army service from 1938.
Red Army.
Torchinsky repeats that he graduated from the military school in Odesa, became a political worker and married Manye (Maria) in March 1941, who is from Pereiaslav. Kerler corrects the length of the marriage to three months and asks about the poem he plans to read.
Reading his poems.
Torchinsky reads his own poem to his wife, written in the 1980s for her jubilee, about their meeting in Pereiaslav, three months of marriage and separation in the war. Another poem reads as a letter from the front in Bessarabia, mentioning being wounded in 1942. Kerler and Torchinsky then discuss her name, Mariam, Maria and Manye. Kerler asks to hear about how he became a teacher.
Religious life and education.
Kerler asks about synagogues in Skvire, and Torchinsky names a prayer house kept by a yeast maker and cantor. He describes a recent visit with American rabbis and Hasidim to Skvire, where he said Kaddish at the site of his father's grave and found nothing left of the cemetery. Kerler asks for Yiddish terms for the cemetery, such as holy place and good place, and explains their meaning. He answers whether the tutor taught him the morning prayer Modeh ani, and comments in Russian.
adds the visit by American Hasidim and Kerler's questions on terms for the cemetery.
Sabbath celebration and cultural life.
Torchinsky answers Kerler's questions about his mother lighting Sabbath candles, Sabbath dishes, and what was brought at Purim. He says no one else in the family blessed the candles. Asked about anti-religious campaigns at school, he recalls a printed play against Passover that the school performed. He also recalls a girl who sang and later went to Israel, and says there was no theater in Skvire, only visiting performers and a drama circle.
adds Kerler's questions on Sabbath and Purim customs and the anti-religious school play.
Anti-religious plays and celebration of Passover.
Answering Kerler's questions, Torchinsky discusses the anti-religious school play about a spoiled Passover, staged for pupils at the Skvyra Yiddish school in the mid-1930s (year not clear). His family disliked it, and his grandfather wanted to take him out of school; he was a pioneer and did not ask the questions at the family seder. He describes Seder food his mother prepared (borscht, chicken soup, matzo-meal dishes) and answers questions on terms for gefilte fish and its pepper flavouring. Kerler tells an anecdote about his own father, and Torchinsky begins to announce a poem about Ukraine.
Cultural terminology and poetry.
Torchinsky explains what the expression 'a gutter yid' (a good Jew) means: an honest person who shares his bread, as opposed to a bad Jew. He then reads his poem about Ukraine as his homeland, written in 1989 (as heard; possibly 1988), after which Kerler praises it and returns to the question of the taste of his mother's gefilte fish.
The tape's passage includes an explanation of 'a good Jew' and the recitation of the poem.
Food customs and his work.
Kerler puts questions on food terms (sour, sweet-sour dishes, tsimes and why it is made, latkes, chopped versus stuffed fish) and on the word 'Galitsianer'. Torchinsky then tells how the Sunday Yiddish school in Kyiv was founded, and shows the camera a newspaper clipping about it. Its president Levitas asked him to teach there, and Torchinsky was hesitant because of his limited schooling and decades without using Yiddish. A friend, the poet Yosl Bukhbinder, encouraged him. He later wrote a reader and poems, some printed in Birobidzhaner Shtern and Sovetish Heymland.
Besides food customs, it covers the founding of the Sunday Yiddish school and Levitas's invitation to teach.
Poetry.
Torchinsky reads his poem about the Warsaw ghetto, dated 1992. It describes the German conquest, deportation, killings, burning of victims, and the uprising and the hope of liberation. Kerler then says he has a few questions and asks about non-Jews who spoke Yiddish.
Non-Jews speaking Yiddish.
Torchinsky recalls non-Jews who spoke Yiddish, whom he met later in Kyiv: a Christian woman who worked for Jews, and her sister. Kerler notes there were no non-Jews at his Yiddish school in Skvyra. Torchinsky mentions Ukrainian students now learning Yiddish and recites his 1994 poem on the Yiddish language, the mother tongue, and the decline of Yiddish schools. He appeals to the American visitors for advice, and Kerler encourages him and moves to a question about the difference between babke and kugel.
Food customs and dialectology.
Questionnaire on food and drink words with Kerler: kugel and babke and their ingredients, rasl (brine or juice), tomatoes, baked goods and pastries, strudel, flodn, kamish bread, evening meal, and the word for vodka (bran(t)fn). Torchinsky says Jews drank brandy on Simchat Torah and Purim but not wine, and that vodka was not drunk on Passover. Kerler also asks about 'dibek' (a bad person) and 'goylem' (golem).
Beyond food customs, includes drinking customs by holiday and the terms dibek and golem.
Prewar religious life and dialectology.
Answering Kerler's questions, Torchinsky recalls the prewar synagogue and bes-medresh in Skvyra, where only men went to pray and women sat apart, and describes praying there with his grandfather. Kerler asks about klezmorim, wedding customs and a place name (apparently 'tsvinter'). He continues with expressions used when mentioning the dead and then with greetings, thanks and congratulation, the word for stomach and for book, and the difference between 'sick' and 'sleepy' (the transcript is unclear on some of these). Torchinsky mentions his own Yiddish-Ukrainian dictionary of six thousand words and begins to read another poem, about Passover and the Exodus.
Besides religious life, includes elicitation of formulae for mentioning the dead, greetings and thanks.
Reading his poetry.
Torchinsky reads three of his poems. The first is on Passover (dated 1992), retelling the Exodus from the baby Moses to the crossing of the sea and the seder. The second is devoted to Sholem Aleichem and his museum in Pereyaslav (the transcript does not give the year). The third, to Yiddish-learning children, is dated 1990. Kerler brings him back after the first poem to the seder at his grandfather's, and S2 and the Russian asides note the recording and technical details.
Gives the order and content of the poems on Passover, Sholem Aleichem and the children.
Items of the dialect questionnaire asked here; each link plays the moment.